The discerning eye sees far more than mere cinema in Kubrick: it is a complete cosmology, a radical updating of a declining Western tradition, and a mnemonic device unique in its genre. Through successive mandalas he describes the profound causes of evil and enables us to remedy them: medicine, sciences, psychoanalysis, religions, history and magic are all dissected there. From Greek Paideia to temples of Asclepius, from metempsychosis to the Hippocratic Oath, and through Abrahamic sacrificial magic, this work reveals how Kubrick has taken up the torch of our traditions.
Trying to establish the direct lineage from Jung to Kubrick through an in-depth study of Eyes Wide Shut, and - just as Lacan once did with algebra - I attempt to forge the instrument of a new science of the soul: a Kubricko-Jungian mathema.
This book is also a vertiginous plunge into The Shining, which rules our era and which the author identifies at the heart of his own genealogy, the Stuart Dynasty. Everything indeed suggests that, like Danny in The Shining, Heracles was chosen as the sacrificial lamb of this hierarchy of shadows - and that is precisely what motivated the writing of this treatise. It inscribes itself within that very complexity: the persistence of ancient rites in modern times and the hidden sacrifice of kings, evoking Frazer's Golden Bough.
A Franco-Australian analyst in strategic intelligence, big data, and artificial intelligence for psychiatric and healthcare services, with a passion for history, anthropology, and cinema, he engages in an exegesis of Stanley Kubrick, whom he believes to be the Jewish messiah. Since COVID-19, the author has lamented the disconnect between the results reported by organizations and the reality on the ground. According to him, the core of the problem lies in the design and control of IT and organizational systems, whose key actors are under the influence of occult and mafia-like powers within a global network of extortion. He presents here his fourth book as an author and a second in-depth study of Kubrick's work, which he connects to his own genealogy.
Il n'y a pour le moment pas de critique presse.